Hall

Essay : Hall Commissioned by Galerie Florence Leoni for the Antoine Espinasseau’s exhibition Released in February 2013 Illustration : Antoine Espinasseau

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Hall

Essay : Hall Commissioned by Galerie Florence Leoni for the Antoine Espinasseau’s exhibition Released in February 2013 Illustration : Antoine Espinasseau

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Hall

Antoine Espinasseau Dans les espaces de transition de la ville, le hall tient une place particulière. Urbain par nature – il n’existe que peu de halls à la campagne – il assure le passage d’une importance vers une autre, d’un état

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Hall

Antoine Espinasseau Dans les espaces de transition de la ville, le hall tient une place particulière. Urbain par nature – il n’existe que peu de halls à la campagne – il assure le passage d’une importance vers une autre, d’un état

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Ford Galaxie

Wim Eckert In 2009 we again visited Brasilia for an informal study of the architecture of Oscar Niemeyer. After walking through endless lobbies and representational spaces, we decided to take a tour of the memorial to Brazil’s most beloved and

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Ford Galaxie

Wim Eckert In 2009 we again visited Brasilia for an informal study of the architecture of Oscar Niemeyer. After walking through endless lobbies and representational spaces, we decided to take a tour of the memorial to Brazil’s most beloved and

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Kodachrome

Luigi Ghirri In 1969 the photo taken from the space shuttle on its way to the moon is published in all newspapers ; this was the first photographs of the world. The picture pursued for centuries by man presented to

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Kodachrome

Luigi Ghirri In 1969 the photo taken from the space shuttle on its way to the moon is published in all newspapers ; this was the first photographs of the world. The picture pursued for centuries by man presented to

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Post City, Zerkalo

Essay : Zerkalo Commissioned by theLuxembourg Pavilion for the 2012′s Venice Biennale In collaboration with G.Brunet, A.Espinasseau, C.Valadie Released in September 2012 Illustration : Eva Leroy

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Post City, Zerkalo

Essay : Zerkalo Commissioned by theLuxembourg Pavilion for the 2012′s Venice Biennale In collaboration with G.Brunet, A.Espinasseau, C.Valadie Released in September 2012 Illustration : Eva Leroy

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New City : Principles of Planning

Ludwig Hilberseimer « Reason is the first principle of all human work ». Consciously or unconciously L.Hilberseimer follows this principle and makes it the basis of this work in the complicated field of city planning. He examines the city with

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New City : Principles of Planning

Ludwig Hilberseimer « Reason is the first principle of all human work ». Consciously or unconciously L.Hilberseimer follows this principle and makes it the basis of this work in the complicated field of city planning. He examines the city with

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OverPainted Photographs

Gerhard Richter Richter began to produce these small-scale works by smearing, mostly at the end of a working day; some of the paint left on one of his squeegees – the large-scale spatulas with which he drags great volume of

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OverPainted Photographs

Gerhard Richter Richter began to produce these small-scale works by smearing, mostly at the end of a working day; some of the paint left on one of his squeegees – the large-scale spatulas with which he drags great volume of

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LVMDR

Thomas Ruff When I did my first architectural series, in 1987-91, I chose the typical, undistinguished buildings my generation grew up surrounded by. I thought that high architecture might overshadow the image itself, that a Mies building would be too

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LVMDR

Thomas Ruff When I did my first architectural series, in 1987-91, I chose the typical, undistinguished buildings my generation grew up surrounded by. I thought that high architecture might overshadow the image itself, that a Mies building would be too

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(Un)City – (Un)Real State of the (Un)Known

Cedric Libert Le projet place la ville comme sujet de réflexion et de discussion : la ville abord.e sous l’angle des multiples réalités qui la constituent, la ville perçue en tant qu’héritage autant que projet en devenir, la ville envisagée

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(Un)City – (Un)Real State of the (Un)Known

Cedric Libert Le projet place la ville comme sujet de réflexion et de discussion : la ville abord.e sous l’angle des multiples réalités qui la constituent, la ville perçue en tant qu’héritage autant que projet en devenir, la ville envisagée

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Miesology

Piet & Wim Eckert Perhaps nothing epitomizes modern architecture’s transformation from an avant-garde utopian project into built reality more clearly than the carrer of Ludwig Mies Van Der Rohe. The German architect’s output in the first decades of the twentieth

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Miesology

Piet & Wim Eckert Perhaps nothing epitomizes modern architecture’s transformation from an avant-garde utopian project into built reality more clearly than the carrer of Ludwig Mies Van Der Rohe. The German architect’s output in the first decades of the twentieth

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Post-City

Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion) «Post-city», the theme proposed by the Luxembourg Pavilion for the XIII Biennale of Architecture in Venice requires a long process of reflection and research. Part of the «Common Ground»

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Post-City

Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion) «Post-city», the theme proposed by the Luxembourg Pavilion for the XIII Biennale of Architecture in Venice requires a long process of reflection and research. Part of the «Common Ground»

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FROG 11

Peter Zumthor, Serpentine Gallery Pavilion, Londres Text and photographs, with contribution of Jean Marie Gallais

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FROG 11

Peter Zumthor, Serpentine Gallery Pavilion, Londres Text and photographs, with contribution of Jean Marie Gallais

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Archizines

Archizines Live : Discussion about architecture, edition and critics. Interventions of Véronique Patteeuw (OASE), Sebastien M.Barat (FACE B) Ludovico Centis (San Rocco)

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Archizines

Archizines Live : Discussion about architecture, edition and critics. Interventions of Véronique Patteeuw (OASE), Sebastien M.Barat (FACE B) Ludovico Centis (San Rocco)

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Books and Photographs

Ed Ruscha and John Coplans John Coplans – Ceci est bien le deuxième livre de ce type que vous avez publié? Ed Ruscha – Oui, le premier était Twentysix Gasoline Stations en 1963. J.C. – Quel objectif visez-vous en publiant ces livres?

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Books and Photographs

Ed Ruscha and John Coplans John Coplans – Ceci est bien le deuxième livre de ce type que vous avez publié? Ed Ruscha – Oui, le premier était Twentysix Gasoline Stations en 1963. J.C. – Quel objectif visez-vous en publiant ces livres?

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Russian Cycle

Pre-Soviet Period, Suprematism & other mysterious CCCP movements I was deriving, a few days ago, on Tverskaya’s Moscow main avenue and I found in the basement of a mainstream bookshop some architectural publications about the pre-soviet period, suprematism and brochures

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Russian Cycle

Pre-Soviet Period, Suprematism & other mysterious CCCP movements I was deriving, a few days ago, on Tverskaya’s Moscow main avenue and I found in the basement of a mainstream bookshop some architectural publications about the pre-soviet period, suprematism and brochures

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La description de l’Egypte

Napoléon Bonaparte & 500 others « Soldiers, from the height of these pyramids, forty centuries look down on you.. » thus Napoleon is said to have addressed his troops shortly before the battle of the pyramids (17 july, 1798 ). His words

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La description de l’Egypte

Napoléon Bonaparte & 500 others « Soldiers, from the height of these pyramids, forty centuries look down on you.. » thus Napoleon is said to have addressed his troops shortly before the battle of the pyramids (17 july, 1798 ). His words

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50 000*

Bordeaux 50 000* : Photographs for the collective exhibition about the future Metropolis of Bordeaux. Reportage realised with Antoine Espinasseau

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50 000*

Bordeaux 50 000* : Photographs for the collective exhibition about the future Metropolis of Bordeaux. Reportage realised with Antoine Espinasseau

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Blade Runner Aquarelle Edition

Anders Ramsell Blade Runner‘s Ridley Scott’s masterpiece is reinterpreting here by the swedish artist Anders Ramsell ( also from The Creatos Project ) who spent eleven months and 3 585 aquarelles to produce 13 minutes of films. His aim right

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Blade Runner Aquarelle Edition

Anders Ramsell Blade Runner‘s Ridley Scott’s masterpiece is reinterpreting here by the swedish artist Anders Ramsell ( also from The Creatos Project ) who spent eleven months and 3 585 aquarelles to produce 13 minutes of films. His aim right

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X-Urbanism

Mario Gandelsonas Los Angeles The uniquely American one-mile grid, the relentless continental grid that organizes the megalopolis, is seen in contrast to the urban grids and the boulevards Boston - The Head and the  Neck Alternating sector of urban fabric and

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X-Urbanism

Mario Gandelsonas Los Angeles The uniquely American one-mile grid, the relentless continental grid that organizes the megalopolis, is seen in contrast to the urban grids and the boulevards Boston - The Head and the  Neck Alternating sector of urban fabric and

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Venus Transit

Wolfgang Tillmans Un transit de Vénus se produit lorsque le soleil, Vénus et la Terre se trouvent en alignement parfait. Observé de la Terre, le phénomène se manifeste sous la forme d’un petit disque noir – la planète Vénus –

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Venus Transit

Wolfgang Tillmans Un transit de Vénus se produit lorsque le soleil, Vénus et la Terre se trouvent en alignement parfait. Observé de la Terre, le phénomène se manifeste sous la forme d’un petit disque noir – la planète Vénus –

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